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This article discusses contemporary vernacular theory about the elusive energies that emanate from the ground. These energies are reported to be the ultimate reason for different remarkable occurrences, both natural and supernatural. The hypothesis of special energies is expressed in local tourism, in ecological debates and healing practises, driving the curiosity of amateur science. In these expressions knowledge as a form of engagement with the supernatural plays an integrating role between the individual and the forces beyond. Dowsing reveals the ‘energetic’ nature of reality, which will be discussed using three examples. Tuhala Nõiakaev (the Witch’s Well) as a peculiar natural sight in the north of Estonia has drawn together many reports of energy columns that are linked to underground rivers and cultic stones. Another place under discussion is also famous for healing energy points: Kirna Manor works as a centre for spreading knowledge of the interdependence of physical health and the search for a spiritual path with the help of energies that the next example, the Society of Dowsers, attempts to discover using scientific methods. In these examples ‘energy’ designates the position of the individual, in which the participative relationship with the environment works as a form of folk epistemology within the limits of cultural understanding.

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Based on the ethnographic study of Estonian spiritual Internet forum The Nest of Angels, the article observes the process of sharing virtual social support and creating-confirming spiritual meanings. The forum, explicitly opposing the consumeristic side of new spirituality, has become popular and demonstrates the nature and various roles of contemporary spiritual angels. The study identifies two main modes in which the Nest and the presence of angels might be useful for users. Firstly, emotional support is shared, either by fellow users directly or by confirmations that angels will definitely help. Secondly, the Nest allows people to acquire knowledge both on spiritual and practical issues. As the Nest is dialogical, users can pose questions and find confirmations for their otherwise deviant experiences. Discussions in the Nest encourage everybody to interpret some situations and objects (like feathers) as signs from angels. This interpreting process might change people’s perceptions of the world by adding a layer of positive emotions. The study demonstrates how the angelic presence (or at least endeavour towards the presence) helps to establish and keep the tonality of benevolence which functions as the cornerstone of this virtual space. The Nest supports a specific epistemological stance manifested in the angelic, traditional ‘feminine’ values of empathy, softness, and caring. Angels and the idea of angelic presence is the main factor helping to keep the ‘high-vibrational’ and benevolent atmosphere of the forum and empowering the users inside the traditional understanding of ‘feminine softness’.

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DOI: https://doi.org/10.1515/jef-2017-0004 In this article, we outline the meanings modern Wixárika institutions, such as the school and the museum, may receive as parts of ritual landscape and how the community-based videos shot in the context of these institutions may increase our understanding of ritual landscapes in general. We discuss how ritual landscape can be researched using community-based documentary video art in a way that takes the ontological conceptions of the human and non-human relations of the community seriously. In this case, we understand community-based video art as artistic research in which the work is produced with the community for the community. The making of art, discussed in this article, is a bodily activity as it includes walking with a camera in the Wixárika ritual landscape, interviewing people for the camera, and documenting the work and rituals of the pupils, teachers, and the mara’akate (shaman-priests) planning the community-based museum.

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DOI: https://doi.org/10.2478/jef-2018-0012 Yuri Vella (1948–2013) was a well-known personality in Western Siberia’s indigenous world.Unlike most Western Siberia indigenous inhabitants, Yuri Vella was exceptionally skilled with words. He used words in everyday life in order to achieve his goals, among which the main one was to protect his kin and neighbours in the forest from the destructions induced by the oil industry. He was able to hold his own in discussion with the oil industry representatives and to have the last word with them.But how did Yuri Vella use words in private life? That is what months of fieldwork sharing the hut he lived in with his wife allowed me to ascertain. I shall concentrate on patterns of speaking – how? with whom? – and silence in everyday life, outside the attention of an audience. Or was my presence in the hut enough of an audience to change his patterns? These reflections are what this article is about.

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The article focuses on (re)constructing the local memorial landscape in a post-Soviet military base in Poland and the process of forging the local identity of its new inhabitants in the years 1993–2015. These processes, which occurred after the withdrawal of Russian Federation forces from the base and the establishment of a civilian town, find their reflection in the urban space of Borne Sulinowo and are written into a broader context of state policies and national debates about the past. The aim of the article is to present how the initiative in these processes has gradually shifted from the national level to the local, causing fragmentation and pluralisation of the collective memory. In this context certain significance can be attributed to the need to comply with EU standards, and to the progress of commercialisation of the past related to the development of tourism.

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This paper gives an overview of collective identity issues among the Udmurt people, stressing the importance of the historical background since 1552, up to and including current Udmurt ethnic activity. The first section of the paper considersthe foundations of the Udmurt collective identity (linguistic family and the significance of the territory). The second section focuses on occasions when Udmurt identity markers were at stake as a consequence of official policies or legal affairs during the Tsarist and Soviet periods. The third section presents the paradoxical role of the capital of Udmurtia, Izhevsk, the place where assimilation into Russian culture is more important than anywhere else, and which is also the centre of linguistic and cultural official planning where institutional structures are devoted to minority preservation. The last section will be dedicated to Udmurt contemporary ethnic activity in the context of globalisation.

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Ethnography of religious ceremonies by theBashkortostan Udmurt. A short introduction based on fieldwork.

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Power in our life can certainly be expressed in a variety of ways. One of them is power transmission through life cycle rituals. Soviet rule denied “religious traditions” and tried to form a new atheistic communist culture (and traditions). The new rituals were expected to replace older religious rites because communist morality and socialist internationalism was expected to overpower bourgeois nationalism. As indicated by scholars investigating into Soviet rituals and by my fieldwork data collected in 1999 in Northeast Lithuania and in 1998 in Southeast Latvia, the mission of creating communist traditions has not always been successful. I shall try to examine this process in my article by analysing the cases of “traditional” baptism as well as the phenomenon of the so-called “modern” name-giving ritual in Latvia and Lithuania.

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One of the most central findings of recent heritage research in cultural anthropology points to heritage as a social process and as the result of a metacultural operation. This article discusses the metacultural nature of heritage by focusing on the history of heritage both as a concrete social practice and as a powerful concept of cultural policy. For heuristic reasons, the article tends to put the conceptualisation of heritage as a metacultural product in question and proposes to translate concepts from ritual studies into heritage research.

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The article analyses the marking of song text patterns by means of musical devices in the performances of Estonian regilaul. The article examines which variants of musical rhythm and melodic contour are preferred by four singers in their performance of verses that have different functions within the song structure. In both the text and the musical rhythm, a greater number of syllables, and the attendant changes in musical rhythm, mark the verses that have an initiating function and which communicate entirely new information. In performing such verses, rather than the extension verses of parallelism groups or verse repetitions, in the short melodies with narrow pitch range, the singers prefer more “intense” variants of melody contours in which the higher notes of the scale are predominantly used. In two-line melodies, the singer’s patterning of the song text is largely determined by the musical logic, attempting to align the beginnings of the melodic strophes and verse groups.

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