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Preface to the Special Issue “Religion and the Re-identification of Ethnic Groups”.

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DOI: https://doi.org/10.1515/jef-2016-0013 The aim of the report is to describe the communicative culture that has been established between the home-made vodka traders (home-distilled vodka producers), alcohol buyers and activists fighting for temperance in national settlements of Chukotka. Informal economic relations take place within particular settlements; the main thing that is involved in these relations is alcohol. Outside the settlement the connections between traders and buyers do not work and the network of interactions breaks. To mark out the participants in the alcohol trade the report presents the structure of settlement microsociety in Chukotka from a very generalised perspective, based on author’s experience of staying in these settlements and on some statistical data. 

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Authors retain the following rights:

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Preface to the Special Issue.

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Under the Creative Commons Attribution-NonCommercial-NoDerivs license, the author(s) and users are free to share (copy, distribute and transmit the contribution) under the following conditions: 1. they must attribute the contribution in the manner specified by the author or licensor, 2. they may not use this contribution for commercial purposes, 3. they may not alter, transform, or build upon this work.

Authors retain the following rights:

– copyright, and other proprietary rights relating to the article, such as patent rights,

– the right to use the substance of the article in future own works, including lectures and books,

– the right to reproduce the article for own purposes, provided the copies are not offered for sale,

– the right to self-archive the article.

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Of all Romanian dances with ritual functions the most archaic and dynamic is the căluş, a custom of great complexity in its functionality and manifestation, in which dance prevails. Over the course of time, the dance aroused the admiration and interest of many scholars due to the ancient ritual elements it contains, as well as for its spectacular virtuosity and the beauty of the performance and music. The purpose of this study is to reveal the meanings and functions of the căluş, primarily at the social level, in its natural environment – the traditional Romanian village – and to make an analysis of the key moments, the logical order of the dance sequences, gestures and ritual acts, the importance of its props and of group composition and organisation.

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Authors retain the following rights:

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DOI: https://doi.org/10.2478/jef-2019-0003 This paper is an attempt to study combinations of tale types using a networks approach and calculating the centrality index of each type (degree, betweenness, eigenvector centrality). The network of tale types seems to take the form of a ‘small world’ with a few types serving as bridges between highly connected sets of tale types. The centrality of each type also seems to depend more on its age than on how widespread it is.

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We study the role of women in the Bursylysyas Komi folk orthodox movement. Throughout the history of the movement, women have gradually gained more authority in this religious community. The initial stage of communist rule and the final phase of the Soviet Union were periods in which women’s domination in local religious life was most obvious. We argue that men lost their leadership in the movement because their way of execution of religious power was public and thus they became targets for Soviet repression. Komi women continued to keep the Bursylysyas faith alive, although they did so in a more domestic, hidden way. This enabled women to lead local religious practise throughout the Soviet period. In addition, the peculiar ecstatic practices of Bursylysyas, most fully developed during the initial period of Soviet rule, were more suitable for women in the framework of Komi traditional folk religiosity.

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Book review of the publication Ecoscapes: Geographical Patternings of Relations. Edited by Gary Backhaus and John Murungi. Lanham, Boulder, New York, Toronto, Oxford, Lexington Books, 2006, xxxiii+241 pp.

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Based upon the ethnography gathered among Evenkis living in Kholodnoye village in the northern coastal area of Lake Baikal in Siberia this article discusses relationships between local memorial practices and official memorial regimes. Although negotiation between authoritative and alternative memories and histories is typically portrayed in terms of resistance, in North Baikal it should be approached differently. Thus Evenkis in alliance with the Taiga creatively engage with official memorial regime in a way local practices of remembering serve positively for the local community. Remembering becomes a ‘language’ to interact with state powers and external audiences.

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Authors retain the following rights:

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Overview about the 7th Semiosis and Culture Conference organised in May 2010 by the Komi State Pedagogical Institute in Syktyvkar, Republic of Komi, Russia.

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Under the Creative Commons Attribution-NonCommercial-NoDerivs license, the author(s) and users are free to share (copy, distribute and transmit the contribution) under the following conditions: 1. they must attribute the contribution in the manner specified by the author or licensor, 2. they may not use this contribution for commercial purposes, 3. they may not alter, transform, or build upon this work.

Authors retain the following rights:

– copyright, and other proprietary rights relating to the article, such as patent rights,

– the right to use the substance of the article in future own works, including lectures and books,

– the right to reproduce the article for own purposes, provided the copies are not offered for sale,

– the right to self-archive the article.

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3. Vol 4 No 2 (2010) /
4. Articles

Of all Romanian dances with ritual functions the most archaic and dynamic is the căluş, a custom of great complexity in its functionality and manifestation, in which dance prevails. Over the course of time, the dance aroused the admiration and interest of many scholars due to the ancient ritual elements it contains, as well as for its spectacular virtuosity and the beauty of the performance and music. The purpose of this study is to reveal the meanings and functions of the căluş, primarily at the social level, in its natural environment – the traditional Romanian village – and to make an analysis of the key moments, the logical order of the dance sequences, gestures and ritual acts, the importance of its props and of group composition and organisation.

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Under the Creative Commons Attribution-NonCommercial-NoDerivs license, the author(s) and users are free to share (copy, distribute and transmit the contribution) under the following conditions: 1. they must attribute the contribution in the manner specified by the author or licensor, 2. they may not use this contribution for commercial purposes, 3. they may not alter, transform, or build upon this work.

Authors retain the following rights:

– copyright, and other proprietary rights relating to the article, such as patent rights,

– the right to use the substance of the article in future own works, including lectures and books,

– the right to reproduce the article for own purposes, provided the copies are not offered for sale,

– the right to self-archive the article.