Journal of Ethnology and Folkloristics

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3. Vol 5 No 2 (2011) /
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The object of this paper is to examine the contemporary wedding meal in Latvia, focusing on one particular social group of well situated young couples who choose fine dining restaurants or rented venues for their wedding celebrations because they considered restaurant weddings more elaborate and modern. The desire to embrace a modern lifestyle is the way in which to obtain a new identity in a rapidly changing post-socialist world.The aim of present research is to reveal how different traditions intertwine in the wedding meal – new or borrowed, with ancient and national or Soviet traditions. While followers of a modern lifestyle are emphasising a challenge to traditions, it is nevertheless the wedding meal and symbolic practices connected with it that indicates a more or less intentional respect for tradition.I argue that the wedding ceremony reveals the shift from rites of passage to social distinction. This argument is developed by analysing how social and family relationships, value systems and the ethos as a whole have changed recently in Latvia. The use of the symbolic capacity of wedding food, denoting fertility and prosperity, provides the stability of the structure of the wedding feast, which also affects the structure of the marriage ceremony as a whole. 

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@article{JEF, author = {Jeana Jorgensen}, title = { Dancing the Numinous: Sacred and Spiritual Techniques of Contemporary American Belly Dancers}, journal = {Journal of Ethnology and Folkloristics}, volume = {6}, number = {2}, year = {2013}, keywords = {dance; belly dance; spirituality; sacred dance; feminism}, abstract = {In this paper, I explore how contemporary American practitioners of belly dance (as Middle Eastern dance and its many varieties are often called in the English-speaking world) conceptualize not only the spiritual dimensions of their dance, but also how the very notion of performance affects sacred and spiritual dance practices. Drawing on interviews with this community, I describe the techniques of sacred and spiritual belly dancers, how these dancers theorize performance, and how the conflicts inherent to patriarchal mind-body dualism are resolved in these practices. My purpose here is twofold: to document an emergent dance tradition and to analyze its meanings in the relevant social context.}, issn = {2228-0987}, pages = {3–28}, url = {http://www.jef.ee/index.php/journal/article/view/96} }

@article{JEF, author = {Lili Di Puppo and Jesko Schmoller}, title = { Sacred Geographies and Identity Claims: The Revival of Sacred Sites in the Post-Soviet Space}, journal = {Journal of Ethnology and Folkloristics}, volume = {13}, number = {2}, year = {2019}, keywords = {}, abstract = {}, issn = {2228-0987}, pages = {124–127}, url = {https://www.jef.ee/index.php/journal/article/view/340} }

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3. Vol 9 No 1 (2015) /
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This paper argues that researchers doing ethnography can fail in their commitment to take what their informants say seriously. This often occurs, despite ethnographers’ best intentions, when informant statements depart radically from Western distinctions between what is real and what is imaginary. When informants talk about things like ghosts, witches and magic, there is a tendency to apply analytic strategies which translate these informant statements about the world so they conform to Western understandings about what is possible in the world and what is not. This article describes for example some commonly applied interpretive moves used in dealing with informant statements about other-than-human persons. The analytic models and categories we use in these cases are equivalent to often tacit and taken-for-granted Western strategies for dealing with ‘non-existent things’ and these make it impossible to take native statements at face value. We could turn the situation around in ethnographic analyses if we put under the microscope our own Western taken-for-granted assumptions and did so by taking definitions of reality, community, and the person radically different from our own seriously.

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In our paper, we have developed a list of modes for audience engagement on social media on the basis of the Facebook posts of selected museums in Latvia and Estonia. Within the frame of our study, the museums’ Facebook posts covering a timespan of one year have been analysed using the method of close reading and applying the principles of grounded theory. A multi-dimensional approach to various modes of engagement is proposed in order to involve different visitors in the activities of the museum, and considering different functions of the message. The results of the paper are applicable when considering diverse repertoires for modes of engagement with the museum’s audiences on social media, as well as when engaging with them on-site. The paper contributes to the trend of democratisation within the museum context by exploring the potential of museums when forging their relationships with their visitors.

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3. Vol 13 No 2 (2019) /
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This article provides an insight into ethnographic research during the Soviet occupation of Latvia, viewed in the context of national self-consciousness. Ethnographic research in Soviet Latvia was conducted by the ethnographic sector at the Institute of History of the Academy of Sciences of the Latvian Soviet Socialist Republic (LSSR). By successfully using phrases appropriate to the political situation as well as the right quotations from Soviet ideological works, it was possible to maintain ideas and attitudes developed in interwar independent Latvia, for example, regarding Latvian national costume – in the works of Mirdza Slava. In turn, Aina Alsupe managed to carry out substantial new studies of the history and development of weaving in Latvia, and collect materials on the development of applied art in Soviet Latvia. The studies conducted by both Alsupe and Slava allowed researchers to keep applied folk arts and the folk costume topical, and in doing so to help maintain Latvian cultural identity.

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The article seeks to illuminate the ideologically motivated circumstances of Latvian folklore studies during the period of unconditional Soviet totalitarianism. With the strengthening of the Soviet occupation regime in Latvia in the late 1940s, many interwar folklorists became victims of ideologically motivated disdain and subsequent career limitation. ‘Bourgeois’ scholarship and the methods applied in folklore studies during the interwar period were denounced and recognised as harmful to the new Soviet order. The central part of the article presents a case study of one individual folklorist of the time, Anna Bērzkalne (1891–1956). Both increasing criticism of Bērzkalne’s folklore research approach (the historical–geographical method) and her efforts to accommodate the requirements of the Soviet regime have been analysed.

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The lives of Indonesian waria (transgender women) are substantially shaped by spatial dynamics. As a result of social and spatial exclusion, subsequent migration and economic needs, a lifestyle pattern around daily work in beauty salons and street nightlife tied to transactional sex has evolved in many parts of urban Indonesia. Drawing on ethnographic research in the Indonesian regions of Java and West Papua, I demonstrate that despite tremendous spatial abjection, salons and street nightlife are also productive, transformative and conjoining spatialities that foster waria subjectivity in affective relations with their intimate partners, the community, the phantasmic promise of the transnational mediascape and Indonesia as a nation. The places that waria occupy may spark moral prejudice and targeted violence, but simultaneously they are sites of agency at which waria experience self-affirmation and a sense of belonging while embodying through gendered performance the envisioned mobility at both national and transnational scales. The paper thus foregrounds how spaces and subjectivities are mutually constitutive, forging one another, as well as how certain spatialities hold potential to disrupt the sense of marginality.

Under the Creative Commons Attribution-NonCommercial-NoDerivs license, the author(s) and users are free to share (copy, distribute and transmit the contribution) under the following conditions: 1. they must attribute the contribution in the manner specified by the author or licensor, 2. they may not use this contribution for commercial purposes, 3. they may not alter, transform, or build upon this work.

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Under the Creative Commons Attribution-NonCommercial-NoDerivs license, the author(s) and users are free to share (copy, distribute and transmit the contribution) under the following conditions: 1. they must attribute the contribution in the manner specified by the author or licensor, 2. they may not use this contribution for commercial purposes, 3. they may not alter, transform, or build upon this work.

Authors retain the following rights:

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